Hake: A Fresh Display Typeface for Editorial Designers
There is always a quiet moment before a redesign when you realise the current typeface isn’t carrying the editorial voice quite right. I was deep into reworking the header system for a content-rich newsletter that needed to feel both established and warm, and every font I tested felt either too fragile or too loud. That was the moment I started experimenting with Hake, a fresh big display typeface that immediately shifted the energy of the layout. It wasn’t just another decorative option; it had a grounded presence that made the titles feel intentional without trying too hard.
Hake is a new display font designed for moments that need scale and character. It’s built large, with a confident weight that refuses to disappear on a page. The first thing you notice is its generous proportions and the soft, almost editorial curve of certain letterforms. There’s a rhythm in the way the strokes rise and fall, a quality that feels at home in both a modern magazine feature and a thoughtfully designed lifestyle blog. It belongs to that category of premium font choices that understand when to stand out and when to settle into a supporting role, letting the content breathe around it.
A Quiet Confidence in Editorial Layouts
What I appreciate most about Hake is its restraint. Many creative font options in the display category push for immediate attention with exaggerated swashes or extreme contrast. Hake takes a different path. It has a sturdy, almost architectural skeleton, but the details soften it: slightly rounded terminals, a consistent x-height that keeps multi-word titles legible, and a weight distribution that feels solid without being heavy. When I set it as the main title on a digital magazine feature page, the typeface held the space without competing with the photography. It anchored the layout, giving the article a clear entry point while maintaining a calm, editorial design mood.
For a coaching workbook I was formatting, the section headers needed to feel motivational but not childish. Hake gave those headings a quiet authority. The weight felt substantial enough to separate major sections, yet the letterforms had enough personality to keep the page from feeling like a corporate template. This balance between brand identity and readability is rare in display typefaces, and it’s what makes Hake particularly useful for independent content creators who need to build a recognizable visual system across multiple formats.
Where Hake Finds Its Natural Voice
Hake is most effective when it’s given space to perform. As a title typeface, it thrives on book covers, blog headers, recipe ebook titles, and the opening pages of a wedding guide. I tested it on a series of printable planner covers, and the font’s generous scale made the product feel elevated without losing the approachable, handcrafted quality that printable sellers often need. The line spacing can be tightened slightly for a more condensed, impactful headline, or opened up for a breathable, magazine-style title treatment.
It also works beautifully for pull quotes. In a long-form editorial layout, a well-placed quote set in Hake becomes a visual pause. The typeface’s weight naturally draws the eye, but the letterforms are smooth enough that the reader doesn’t stumble. I used it in a digital lifestyle article to break up dense paragraphs, and the pull quotes felt like intentional design accents rather than interruptions. For social media graphics, especially those promoting newsletter sign-ups or new podcast episodes, Hake’s large presence ensures the message remains readable even on smaller mobile screens when the graphic is well-sized.
However, it’s important to understand its limits. Hake is not a text typeface. It is not suited for body copy, small captions, or any paragraph where the font size drops below around 14 points. The very qualities that make it a strong display face—its weight, its breadth, its distinctive character—become obstacles in dense blocks of text. In a formal report or a legal document, Hake would feel out of place, too expressive for the clinical tone required. But in the contexts where it is meant to be used, it delivers a consistent and memorable editorial voice.
Readability Across Screens, Print, and PDFs
Testing Hake across different outputs revealed a thoughtful construction. On screen, the typeface renders cleanly at large sizes, with no jagged edges or awkward thinning on high-resolution displays. In a web design context, setting it as an H1 or H2 via @font-face worked reliably, and the loading weight was manageable for a single display font. For mobile layouts, the key is to keep the title short and the size generous. A long headline in Hake on a narrow screen can wrap awkwardly, so I recommend using it for concise, impactful statements rather than extended sentences.
When exported to PDF for a course workbook, the font embedded smoothly and maintained its weight and character on both screen and printed test pages. It performed well on uncoated paper, which is often the substrate for printable guides and worksheets. The ink coverage was even, and the letterforms didn’t fill in or lose their definition. This reliability makes it a safe choice for creators who sell digital products that their customers will print at home.
For long-form reading, though, Hake should remain in a supporting role. Pairing it with a highly readable serif font for body copy creates a natural visual hierarchy. The display typeface announces the topic, and the text typeface carries the reader through the content. I’ve used it successfully with a classic book serif for a recipe ebook, where Hake handled the chapter titles and the ingredient list headings, while the body text stayed in a crisp, old-style serif. The contrast felt intentional and modern typography-driven without being trendy.
Pairing Hake with Supporting Typefaces
Every font pairing decision starts with respect for the content’s purpose. When I used Hake for a lifestyle blog header, I needed a clean sans serif font for navigation, meta descriptions, and caption text. A geometric sans with a slightly taller x-height complemented Hake’s sturdy shapes without mimicking them. The pairing created a clear distinction between the expressive title and the functional information, which improved the overall visual hierarchy of the page.
For a wedding guide, I leaned toward a delicate script font for accent phrases and kept Hake for the main titles. The combination felt curated—the script added a personal, handcrafted touch, while Hake grounded the design with its more structured presence. In a digital magazine, I experimented with a handwritten font for sidebar notes and a subdued serif for body text, letting Hake handle the feature article’s opening spread. The result was a layered, editorial feel that didn’t overwhelm the reader.
One practical note worth mentioning: when setting Hake alongside a sans serif, watch the weight. If the sans is too light, Hake can feel heavy-handed. A medium weight sans often balances it better. And if you’re designing a logo design or a wordmark, Hake’s distinct letterforms can carry the entire mark without needing much modification, though you might want to adjust the tracking slightly for a more custom finish.
Practical Considerations for Commercial Creators
Before integrating Hake into a paid project, I always check the font’s included styles, alternate characters, and ligatures. Many display typefaces now come with a few subtle alternates that can add a unique touch to a title or a packaging design mockup. In Hake’s case, the standard character set is well-crafted, but I’d recommend opening the glyphs panel to see if there are any swash variants or stylistic sets that could elevate a specific headline. Multilingual support is also worth verifying, especially if your newsletter or ebook targets an international audience.
Commercial font licensing is a critical step for anyone creating design assets that will be sold or distributed. If you’re embedding Hake in a printable planner template, a course PDF, a paid newsletter, or a client publication, you need to ensure the desktop or web license covers that usage. Some foundries offer extended licenses for ebooks and digital downloads, so it’s wise to confirm before you finalize the layout. I’ve learned to keep a licensing folder for every typeface I use commercially, and Hake is no exception.
As a commercial font choice, Hake fits neatly into a designer’s toolkit for brand identity projects, editorial spreads, and content-driven visual systems. It’s not a replacement for a workhorse text family, but it fills a specific need: the need for a display typeface that speaks with calm authority rather than shouting. In a media landscape where every headline competes for attention, that quiet confidence is often what keeps a reader on the page.





